One of the most fascinating things a music lover can do is witness the growth of a young artist. It starts as an inkling or a glimmer of natural talent and expands into something vast and formidable. Jakob Armstrong – youngest son of Green Day frontman Billie Joe – began playing guitar at seven years old and honed his craft privately until about sixteen, then playing in bands in and around Oakland after meeting friends with like-minded tastes in music. Soon enough, with the memories of Ultraman action figures fighting in his head, he and a group of friends he cultivated from those years playing around and pouring over records, formed Ultra Q. Its name is inspired by an Ultraman prequel series; a deep cut for import action series lovers. Ultra Qs earlier work marked the synthesis of a songwriters vision and his bands ability, forged through an invisible existential threat and an everchanging world, eager to show what theyve found while we were all inside. But new albumMy Guardian Angelsoars to heights unimaginable for us lowly, earthbound beings. Produced by Chris Coady, who has helmed classics by the likes of TV on the Radio, Yeah Yeah Yeahs, and Beach House, My Guardian Angel offers a deep sonic palette to match Armstrongs artistic ambition. Wildly vacillating between widescreen pop-punk (Klepto, the impeccably titled VR Sex), romantic newwave (Rocket, I Wanna Lose), and shimmering synth-pop (I Watched Them Go), the album displays Armstrongs songwriting talentsalong with the musicianship of Kevin Judd and brothers Chris and Enzo Malaspinaconceived and recorded for maximum impact.