Belched from Hells depths into the rustic charms of the Witch County, Suffolk thirty long and disturbing years ago, CRADLE OF FILTH are undisputed giants of the heavy metal realm. Imperious purveyors of a perennially unique strain of dark, dastardly and wilfully extreme metal, with deep roots in the worlds of gothic horror and occult curiosity, the band led by Dani Filth has weathered three decades of tumult and trial, earning a formidable reputation as both a singular creative force and one of the most riotously entertaining live bands the metal world has ever produced.

From primitive early works like 1992 debut The Principle Of Evil Made Flesh to more expansive and theatrical classics like Cruelty And The Beast and Midian, CRADLE OF FILTH defied trends and constructed their own idiosyncratic world of foul grandeur, becoming one of the UKs most notable metal bands in the process. Since then, they have traversed the world countless times, hoovering up plaudits and praise from an ever-expanding international fan base. Resolutely prolific, the bands catalogue has grown in depth and stature all the while, irrespective of line-up changes or the whims of the faithful.

In more recent times, CRADLE OF FILTH have hit an unmistakable hot streak of creativity and urgency. As a new line-up coalesced around the creation of 2015s Hammer Of The Witches, fresh impetus propelled the band to new heights, as the revitalised crew became more in demand around the world than ever before. 2017s Cryptoriana – The Seductiveness Of Decay repeated the trick with even more explosive flamboyance. Until a global pandemic brought the music industry to a jarring halt, CRADLE OF FILTH were almost permanently on the road and absolutely fucking flying. As a result, it should surprise no one that the bands brand new album, Existence Is Futile, is yet another monumental and electrifying journey through the dark.

Buoyed by these recent triumphs, CRADLE OF FILTH recorded Existence Is Futile during 2020, piecing the record together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (Devilment/Benediction/Vader). Although instantly recognisable as the work of these veteran blackhearts, the thirteenth CRADLE OF FILTH album is a wholly different beast from its immediate predecessors. Pitch-black, perverse and at times absurdly brutal and extreme, it hangs together with mesmerising fluidity. It is also absolutely rammed with giant, rousing melodies and moments of jaw-dropping invention. No one could mistake the venomously catchy likes of How Many Tears To Nurture A Rose? or monstrous ballad Discourse Between A Man And His Soul for anything other than CRADLE OF FILTH, of course, but Existence Is Futile confirms that the bands exploratory instincts remain as sharp as ever.

Underpinned by its huge and disarmingly organic production, Existence Is Futile is plainly the darkest and most unsettling album CRADLE OF FILTH have made in a while. Eschewing the bands trademark twisted storytelling in favour of horrified glimpses into the mortal void and ruminations on the inevitable destruction of life on Earth, its poignancy and relevance to the cluster of nightmares facing humanity in 2021 is impossible to ignore, even if Dani Filth insists, not unreasonably, that he didnt anticipate a global pandemic when the news songs were being written.

With the best possible timing, CRADLE OF FILTH were already due to make a new album during those long, lonely months of lockdown in 2020. Having grabbed the opportunity with both hands, Dani avows that unavoidable isolation from the rest of the world was the best possible incentive to get the job done, while also adding plenty of eerie atmosphere to the whole experience.

Sonically speaking, Existence Is Futile is easily the most powerful and dramatic record CRADLE OF FILTH have ever made: its the sound of bands enviable onstage chemistry spilling over into the studio, propelling each member of the band to new levels of intensity. Combined with the expected labyrinthine arrangements and moments of spellbinding bombast, Existence Is Futile may be the most vivid representation of the CRADLE OF FILTH experience yet.

Also, diehard fans will be thrilled to learn that horror icon Doug ‘Pinhead’ Bradley makes a welcome return to the CRADLE fold, lending his dulcet tones to the epic Suffer Our Dominion, and to one of the forthcoming new records bonus tracks, as Dani explains.
There are also two bonus tracks in addition to the album, one of which is the culmination to the Her Ghost In The Fog trilogy, which began on Midian.

For this we had little hesitation in enlisting our friend and actor Doug Bradley to reprise his narrative role. Doug lives in Pittsburgh, which he refers to The Pit, thus we directed his narrative over Skype from his local studio. He adopts this almost David Attenborough-ish role on Suffer Our Dominion, which is possibly the most politically astute song weve written of late. As a band we usually shy from branching into politics, but its something that needed spouting. The fact were fucking our ecology up and desperately need to address the situation pronto

So, if were all going to perish in the fire of our own stupidity, we might as well have a suitably deranged and destructive soundtrack to do it by.

A bewitching, fearless nosedive into the abyss, the band’s thirteenth studio album confirms the ferocious efficacy of CRADLE OF FILTH in 2021. Bold, brave, wildly imaginative and heavy as hell, the bands latest runaway train-ride through the flames is the perfect album for these most imperfect of times. As Dani concludes, Be like the virus! Mutate and survive!