Essamis the bands fourth album, recorded with the same core lineup, but marks a significant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwens heritagemoving toward something more open, modern, and exploratory.

For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer. He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments and reprocessing them in real time with a modular synthesizersubtly reshaping the band’s sonic identity.

The album was recorded mostly live, in one big room at Aboogi Studiothe bands own rehearsal and recording space in Tamanrasset. The studio, a converted concert hall, has become a kind of cultural hub for the local youth. Friends dropped by during the sessions to contribute handclaps, vocals, and just be part of the energy. Its a space where people gather, hang out, play dominoes, smoke chichaa rare communal spot in a city that doesnt offer many for young people, somewhat like a youth and community center.

This contextthe creative shift, the live recording process, the atmosphere around Aboogimight be interesting threads to explore in the conversation.